free instals Disco Elysium - The Final Cut

Kim joined the RCM in '31, at the age of 23, and worked as a juvenile police officer for the next 15 years. Despite wearing glasses, he passes shooting courses 7 out of 10. Jean Vicquemare also thinks highly of him, and says Precinct 41 would be flattered if he were to consider transferring.

Although he claims that he is neither the finest, nor the strongest officer at the Precinct, he is notorious enough for Trant Heidelstam to recognize him, and Harry to know his name and statistics offhand. Kim has two decades of RCM service under his belt and is assigned to Precinct 57, he has solved a total of 102 cases (officially 104). It is heavily implied that he was bullied in high-school for wearing glasses, and is strongly against any unnecessary displays of force against those who are 'weaker' because of this.Īt one point, Kim had a complicated relationship with his given name, but decided not to change it. He also had an affinity for the Franconigerian knights. Īs a child, he dreamed of becoming an aerostatic pilot, and was particularly interested in the revolutionary air brigades. When he was 2 years old, his parents were killed during the end of the Antecentennial Revolution. He prefers not to associate himself with Seol, instead calling himself a 'regular, garden variety Revacholiere.' His Seolite ancestry caused others to treat him poorly, calling him racial slurs and causing Kim to struggle with not being considered Revacholian, despite being born and raised in Revachol. He's never met his grandparents, and cannot speak Seolite. Kim Kitsuragi was born in Revachol around '08 to half- Seolite parents his paternal grandfather and maternal grandmother were from Seol. but I embrace it *because* it's my role, and it's yours too, detective, whether you accept it or not! Childhood and Ancestry I am under no illusion that my role isn't a minor one, in the scheme of things.

KIM KITSURAGI – Detective, each of us has our part to play in the world.

Free instals Disco Elysium - The Final Cut